The first publication of LCCOTO (1953) demonstrated that there is a scale which sounds in closest unity with the harmonic genre of any traditionally definable chord. This scale is termed the PARENT SCALE of a chord.
Sound both of the following chords separately. Try to detect the one which sounds a greater degree of unity and finality with its tonical C major triad:
In tests performed over the years in various parts of the world, the majority of people have repeatedly chosen the second chord - the C Lydian Scale in its tertian order.
The first chord is the C major scale in its tertian order.
The Lydian Scale represents an ascending order of six intervals of a fifth. The tonic of an interval of a fifth is its lower tone. The tonic of a series of six intervals of a fifth is its lowermost tone. The lowermost tone of a ladder of six consecutive fifths is termed the LYDIAN TONIC.
The following pages from the new edition are taken out of context, and are shown solely for the purpose of offering examples of the information contained within.
"Congratulations on the work contained in Volume 1. Russell's insight into the "vertical now" that occurs in music has been totally liberating. Having been a musician and a student of music for over forty years, I can say without hesitation that this is the finest work I've ever run across. The Concept is a glimpse into the future of music, and progressive music schools will require it in the coming years." Mike Delaney