Summer Reading

The main body of the LCC and its practical application, including all 4 published versions of Book 1 with their inserts: the 1959 tan cover; the 1959 light green cover Japanese edition; the 1970‘s white cover, which adds an illustrated River Trip to the 1959 edition, and the currently available Fourth Edition, 2001.

The authorization code is the first word on Page 198 of the Fourth Edition of the LCCTO.

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An open letter from Alice Russell. June 21, 2011, Brookline, Massachusetts. 1. DO NOT make insulting, mean spirited remarks about anyone or their work; there are a plethora of sites where you can rant unfettered. If you attack someone personally, your comments will be removed. You can post it, but I'm not paying for it. Go elsewhere, and let those artists who are actually interested in discussion and learning have the floor. 2. There will be NO posting of or links to copyrighted material without permission of the copyright owner. That's the law. And if you respect the work of people who make meaningful contributions, you should have no problem following this policy. 3. I appreciate many of the postings from so many of you. Please don't feel you have to spend your time "defending" the LCC to those who come here with the express purpose of disproving it. George worked for decades to disprove it himself; if you know his music, there's no question that it has gravity. And a final word: George was famous for his refusal to lower his standards in all areas of his life, no matter the cost. He twice refused concerts of his music at Lincoln Center Jazz because of their early position on what was authentically jazz. So save any speculation about the level of him as an artist and a man. The quotes on our websites were not written by George; they were written by critics/writers/scholars/fans over many years. Sincerely, Alice

Summer Reading

Postby bobappleton » Sat Aug 02, 2008 12:29 pm

Motherlode's mention of Gurdjieff's "The Herald of Coming Good" prompts me to acknowledge a few interesting books.

1. "The Wisdom of Sun Ra: Sun Ra's Polemical Broadsheets and Streeetcorner Leaflets" compiled and introduced by John Corbett, pub Whitewalls, 2006.

The story goes something like this: In 2000, in a folder marked "One of Everything," 46 of Sun Ra's original manuscripts (including the same one Coltrane handed out to so many musicians) were found on Chicago's South Side and salvaged from destruction. The mimeographed sheets are reproduced in color in the first half of the book and followed by easily read (if not necessarily understood) typeset versions of each text.


2. "This is your Brain on Music, The Science of a Human Obsession" Daniel J Levitin, pub Plume, 2007

A neuroscientist, former session musician and sound engineer writes about what makes music tick - as science and art.


3. "Lennie Tristano: His Life and Music", Eunmi Shim, University of Michigan Press, 2007

A beautiful portrait and analysis of Tristano's music and teaching. Sandy Williams wrote about this on the Forum a few months back. More on what made the 1950's such a powerful era in American improvised music.

I picked up all three of these books from the shelves of Schuller's book store in East Lansing, Michigan - a book store with a real music buyer.

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Postby Andrew » Tue Aug 05, 2008 5:17 pm

I am just reading "This is your brain on music." It is very well-written and researched!

Also, I am reading "Letters to a Young Poet" By Rilke, and dabbling in "My musical Language," by Messiaen.
"Life finds a way"- Wayne Shorter
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