lydianchromaticconcept.com

schillinger

dogbite has recently recovered from some serious computer virus issues and is therefore late to the conversation. since loverman is one of the first jazz tunes i ever learned, i am curious about the context of the tune in this dialog. the aebersold "ballads" (volume 32 is it?) play-along i...

LOL!

db

Bob: "The AAJ forum just imploded again." dogbite: everything goes just fine until some dialogue spins out of control because of...??? didn't you say once, "idea vs. ego" or something like that? my thread over there has taught me much about forum politic - step back and get to kn...

sandywilliams:

"I think you are talking about SVTG as much as SMGs. You must be careful when adjusting the matter and anti-matter flux. Without HTG the ship might implode!"

she can't take much more of this captain!

"You read my mind. Rand@RandScullard.com I'd chip in to buy him a copy of LCCTO."

me too...

db

strachs: "That circle of fifths diagram is cool. Did you also notice WHICH majors and minors they are? They are the major triads of a PMG and it's CMG - related keys, plus their relative minors." yup. note also the intentional pun, "that's mighty *sharp* of you bob" F C G Dm Am E...

dogbite: "I(v,h) V(h) II(h) vi(v,h) iii(h) vii(h)" Bob: "Why is II(h) and not II(v,h)?" you are of course correct. i was thinking major (I) and minor (VI) as modal genres rather than the II or "seventh" modal genre, but i think the point is valid whether or not the desi...

"On the above link, I find myself in a Pythagorean trance by the fact that in the Lydian scale spelled as stacked perfect 5ths, the triad qualities are Major Major Major minor minor minor diminished. This is the only mode which on which this occurs. Hmmm." I(v,h) V(h) II(h) vi(v,h) iii(h) ...

Hi Chesper, we’re back from vacation and I just looked at your response to my last comment in our dialogue re: HTG… I think that we are agreeing with each other while at the same time, are coming dangerously close to talking past each other. Let me clarify the statement in question to see whethe...

chespernevins: "I would ask: What C major triad? Without the idea of a tonic station triad built on the "Conceptual Modal Tonic III of the Lydian Augmented scale" (sic) we don't have a C Major triad, only an Augmented chord with IIIb. In other words, there is no "IIIh" liste...

i agree with you chesper, in that the nature of 11b9 is different than that of the 7b9. i like the description of 11b9 as susb9... if we accept the state of unity that chordmode II exhibits with the seventh (7,9,11,13) chord, then 7b9 might be best described as 7,b9,11,13 [II lydian diminished] - it...

chespernevins: "Could we name these other horizontal scales that fully comply with these requirements of a CMG (as I theorized above) but that are not technically CMGs? For instance the very nice horizontal scale Majorb6b7 (or Mixolydian b6): C D E F G Ab Bb as resolves to a C major triad and d...

strachs: "Another brain fart: Can someone please tell me what the practical difference is between the LA scale and the Lb7 scale in practical terms? F Lb7 and Eb LA, for example, contain exactly the same notes. On what basis, then, do we conclude that they are different?" dogbite: in terms...

chespernevins: "Unknown - Must the CMG have BOTH a I maj and VI min tonic station available for the CMG to resolve to? BUT in this case, there is both a I maj and VI min tonic station." dogbite: the I maj and VI min are "relative major and minor" from traditional music theory, so...