lydianchromaticconcept.com

Hi: I want to share with you some of my prior attempts to achieve an original material to use for make music. Twenty five years ago, I was write a try to understand music based in my feelings, and I create scales derived from that, based in two principles: 1) Every scales may contain seven notes and...

I asume that you know this article but for me it was a novelty, please read it, is very enlightening.....https://www.scribd.com/doc/36152055/Orn ... d-Tonality

Hi: I want to share with you my music, working on LCC (and other devices too).....I hope you enjoy it!!https://www.youtube.com/watch?v=f6-1urhXYts
https://www.youtube.com/watch?v=CVeEnGtSipg
https://www.youtube.com/watch?v=I9-j28Tjx2Y

Thanks!!!

Well, thanks again!! Talking about what resources of LCC I use in example, in the first tune "Sagrado Corazón", in the first round I opted to beguin with some "traditional" stuff, most of it are pentatonics in all forms, but in the most of the tune, which harmonic structure is ve...

What can I say? Thanks for your nice comments!!! I willl post another piece of this project, in the beggining rounds of improvisation I don´t use LCC but then I do, hope you enjoy it...https://www.dropbox.com/sh/7awx0uco9zsw ... ita%20.wav

Good!!!

I play tenor sax....

Like the title says I want to share to the group some stuff I recorded using this Concept. Check this out:
https://www.dropbox.com/sh/7awx0uco9zsw ... C3%B3n.wav

So, to clarify, in Wave progression you suggest the follow harmonic progression:
DMaj7 (D Lydian scale first degree)- Bb dim (Bb lydian first degree in the form of an auxiliary dimished scale)- Am7 (C lydian scale VI degree) and D7b9 (C lydian scale II degree in the form of a Lydian dimished scale).

Cool stuff!!! Great analysis Nat!!! The only thing I don´t understand is where NatCom derives the tone B over the E dimished chord, the scale for me it would be: E-F#-G-A-Bb-C (instead of B you write)-Db-Eb in the spell of auxiliary dimished scale of E Lydian. Or INTOH like an auxiliary dimished blu...

I want to introduce for further analysis the four firsts chords of Wave (Antonio Jobim): DMaj7- Bbdim- Am7- D7b9 In that case, and playing the melodic material is clear that the scale to wear over Bb dim chord like first choice is C dimished, that is: C-Db-Eb-E-F#-G-A-Bb. This scale it can be founde...

Great answer!!!! Thanks....I will use it with this help.

Thanks Chesper!!! I could see it now....

Thanks, very useful!!! What it can be the logical assumption wearing LCC dealing with a dim chord??