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I know exactly what you are talking about Chesper... I just can't find the documentary I watched about it. That art form is referred to as cymatics. In rice or sand- http://www.youtube.com/watch?v=Zkox6niJ1Wc In water- http://www.youtube.com/watch?v=EaowfGVzQ7U Try that search term, you'll find some...

Sounds delicious!! :D

I'm curious, what type of addition were you planning on writing for it?

Have you ever heard of the ear-training software GNU solfege? It has contributed to my musical knowledge/vocabulary almost as much as studying and practicing the concept! It's so thorough!

To be honest, I highly doubt it. What aspect are you interested in though? Labeling on sheet music? That's basically all I can think of in a compositional manner... If you write in C++ I'm pretty sure it would be quite easy to write a plugin for Sibelius for labeling and such... -You could always wr...

I feel about the same. He was the only teacher I have ever had...

That was just beautiful mother.
Amazing stuff...

That was absolutely wonderful Mother!!
-Although I think I liked the original ending.

I really enjoyed the piano line, I really like it when people use two semitones (side by side) in the same octave. =^_^=

Loved the rhythms too!



-Daniel

Hmmm... I'm having trouble understanding... Are you talking about the dissonance of a key signature itself? (That's massively interesting if so) Or are you talking about the concept of key signatures over key signatures, such as C lydian over F lydian?

What an odd forum to post this on! I like you. ;) It seems almost impossible to teach without delving into key signatures... I would maybe state that there are twelve keys (signatures) and... If ya' only hit the white keys (actual keys on a keyboard) you're only playing in one of them. (No need to g...

I obsessed over this a while back... to the harshest of extremes. I am thinking symmetrical intervals (Or small possibility inversion intervals) have some form of reign over us... They are all the fundamental intervals in tonal magnetism. Look at the tritone, the minor third, the major third, and th...

I have a track built now with the order (in C lydian) with a C# then a G# proceeding in different octaves... It seems with these sort of tests the octave REALLY matters. That's what I am having trouble with, making a decision. I think I am going to ask some of my non-musician friends what they think...

Does anyone have an accurate way to test this? Due to the lack of sustain in the higher register of a piano I don't really have time to really wonder about it. I think I am just going to make examples using a pure sine wave.

Anyone way ahead of me by any chance?

Well, I've been messing around with different ways of playing it... or an absolute way to tell the difference and... Now I am just confused.

No, I was just curious! =^_^= Hmm... I'll have to really play around with the higher orders a bit more... I cannot honestly give you an answer. It's a bit hard for me to rate such a thing via comparison, seems a bit ridiculous because my mind finds a different tonical center each time... Not the low...

Was it your idea to ask if dissonance had to do with HTG?

Personally I find them interchangeable... Although I do feel one has much more of a negative connotation.

-Daniel
=^_^=

(By the way, you seem like a harsh teacher strachs!)